The Weeknd’s two contributions, "Earned It" - which has a probably NSFW music video directed by Sam Taylor-Johnson - and "Where You Belong" sound exactly like what I imagine the backing music for the film should be, and it’s really, really good. No, we have The Weeknd, Beyoncé, and a man by the name of Boots to thank for that. Even Vaults, a little-known band from London contributed a marvelous song in "One Last Night" which fits better with the motif of Fifty Shades of Grey.īut those tracks alone wouldn’t make the Fifty Shades of Grey Soundtrack one of the best albums of 2015. Sade lite, maybe.) Ellie Goulding’s synth-laden dance track "Love Me Like You Do" - another song that seems out of place with the film unless there’s an impromptu dance party somewhere in the movie - is already a number one hit in Europe, and is rapidly climbing the Billboard Hot 100 after being released just over two weeks ago. (She is not Sade, I repeat, she is not Sade. Jessie Ware’s amazingly bluesy "Meet Me In The Middle" makes me want to listen to Jessie Ware’s entire catalog - it may be the best original song on the album and is reminiscent of Sade. The album features a who’s who of artists that are obviously too great to be on this or any soundtrack, including The Rolling Stones, Frank Sinatra, and Annie Lennox, whose cover of the 1956 classic "I Put A Spell On You" makes the perfect opening for the soundtrack. It is a compilation of magnificent songs both new and old from already amazing artists that form an album I would place right behind Sleater-Kinney’s No City to Love as the best release in 2015. Now, as a rule, soundtracks are generally awful amalgamations of never-before-heard artists singing never-should-have-been-sung songs, but the Fifty Shades of Grey Soundtrack is not that. The Fifty Shades of Grey Soundtrack is the best soundtrack I’ve heard in years. The soundtrack features The Rolling Stones, Frank Sinatra, and Beyoncé There was nothing that got me to the point where something within the Fifty Shades of Grey ecosystem really grabbed my attention.
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James and director Sam Taylor-Johnson also despise each other (so much hate!), and I thought to myself "wow, this could be a complete train wreck." But watching the film just to see the lack of chemistry come out on screen is just like stopping to watch a car crash, and I have the Transformers series for that. There were points when I became intrigued in the film, like when I realized that co-stars Jamie Dornan and Dakota Johnson appeared to deeply hate each other, and when it became public that author E.L. Film is overdue for more stuff not aimed squarely at guys who read comic books when they were 12.
I’m not the target audience, that’s cool. And all the hoopla, and the feverish fans, and the protests surrounding it. Do you know that feeling when - in your heart - you know something is going to be awful? You don’t need to hear or read anything else about it, you already know in your soul that it’s not good and you could care less? That’s how I feel about the Fifty Shades of Grey movie.
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